Art

I recently posted some thoughts on the work g by the British artist Jack Strange. It was pretty much of a cold reading, without the benefit of having done any research on Strange or his work. Since then I’ve done some googling and discovered some useful commentary. Not to telegraph the punchline, but no one echoed my thoughts about g being (at least in part) a symbolic reenactment of the literal act of falling—which means that either I had a unique and valuable critical insight or I just pulled something out of my rear end. (I suspect the latter.) ...

Continuing my amateur ruminations on contemporary art: One of the things that’s fun about art is going on a journey from “OK . . .” to “aha!” from seeing something and not really understanding or even registering it, to both grasping an essential point about the work (even if it’s essential only for you) and seeing and appreciating the further associations and cross-connections it raises. It’s especially fun if you can get to that point on your own, without having to read the wall text or a critic’s article. ...

Now that I’m interested in art again, a few background comments might be in order, especially since my main interest is in contemporary art, a field both inscrutable and risible in the minds of many. In the work-related discussion I alluded to in a previous post, a colleague brought up Damien Hirst’s infamous shark in a tank; he seemed incredulous at this being considered art, but at the same time happened to remember the exact name of the work (something I myself had forgotten). This seems to encapsulate the paradox of contemporary art: it’s dismissed as silly and inconsequential, but at the same time has wormed its way into public consciousness. ...

As a congenital generalist I maintain ongoing relatively superficial interests in a lot of different things. However every once in a while an interest will take me over and lead me to explore it obsessively for a time. Several years ago I had that experience with art, especially contemporary art. (I have a bias towards what’s going on currently in a field; thus my current interest in “classical” music is focused on what’s being composed here and now, and extends back only to the dawn of minimalism.) ...