Music

In which I recommend some yuri and other works I enjoyed in 2022.

Cohost comes through with an excellent music recommendation.

With the 38th Annual Korean Festival happening tomorrow, it’s a good time to highlight Korean indie folk/pop singer-songwriter Fromm.

Last week I cancelled my subscription to the eMusic digital music service, a subscription I paid for faithfully for over ten years. I spent a few years of my blogging life writing about eMusic as a subscriber, so it’s appropriate to mark the end of my subscription with one final post. eMusic has gone through many business models over the years, but at the time I joined it was a would-be solution for people who wanted to listen to lots of music, especially music out of the mainstream, but had only a limited budget to pay for it. Operating in the post-Napster era, eMusic focused on people who wanted to download tracks and albums as MP3 files, and would commit to pay at least $10 a month for the privilege. Initially the service allowed “unlimited” downloads for one fixed price. This was after the major music labels had sued Napster into submission for offering a similar service at no charge (and without authorization by copyright holders, of course), so even with the promise of payment no major labels were willing to sign up. The offering was thus limited to independent music labels, and even then much of the music available was only marginally appealing (to put it politely). ...

I’m back to posting weekend recommendations, but this time it’s for listening instead of reading. One nice benefit of Spotify and similar services is that you can go back and listen to all those albums you never got around to buying, or sample new music you don‘t yet want to buy—or, if you’re truly a child of the Internet, you may never buy at all but simply listen via audio streams or YouTube.1 ...