Changing my (blog) name, plus Plus

For those following this blog, note that I’ve changed the canonical site name from blog.hecker.org to frankhecker.com. Any links and feed URLs referencing the previous domain name will still work for the foreseeable future, but if and when you have time you may want to update your bookmark list, RSS newsreaders, and related information to reflect the new name. A little history by way of background: I was around when the Internet was first being commercialized, and I had the opportunity to register hecker.com for myself if I really wanted to. However I passed because I didn’t have a server to associate with it and I thought I needed to be running an actual server in order to register the name (though I’m not sure that was the case even then). When I finally got around to having a personal server in the late 1990s I found that hecker.com had already been taken by a company that registered thousands of surname domains so that they could offer a shared domain service in which multiple people could have their own personal subdomains under a top-level domain: jane.smith.com, john.smith.com, and so on. So I settled on the next best thing and registered hecker.org instead for use as my primary domain, at the same time registering frankhecker.com (as well as the .org and .net variants) to prevent anyone else from getting it. ...

2011-10-30 · 3 min · Frank Hecker

Greg Sandow on the future of classical music

I’ve been reading Greg Sandow’s blog posts for a little while, and today checked out his “riffs” on the book he’s writing, Rebirth: The Future of Classical Music. I found the riff on chapter 3 (“The Culture Ran Away From Us”) the most interesting one thus far, because it discusses some of the questions around how the mainstream classical music community (institutions, performers, composers, and audience) has gotten separated from contemporary culture, in a way that other arts have not. ...

2010-04-13 · 3 min · Frank Hecker

eMusic to offer streaming?

In reading the recent New York Post article “EMusic mulls sale as digital market shifts” (pointed to by eMusic subscriber okierambler in a recent message board thread), the most interesting part to me was actually at the very end of the article: Sources said eMusic’s backers . . . are also seriously considering adding a streaming component in a bid to build upon its recent growth. . . . According to sources, the streaming component would be a value-added feature for premium subscribers. ...

2010-01-02 · 9 min · Frank Hecker

Some kind of a party

A while back my copy of iTunes saw fit to present me (for the first time?) with a “party playlist.” I honestly can’t imagine any party that would have this as a playlist, but the bizarre randomness of it all intrigued me and prompted me to present the unexpurgated list to the world (with comments where appropriate and links to eMusic downloads where available): Eve Beglarian, “Far Off Country (Four),” performed by Maya Beiser, from Almost Human. I like this album but have a bit of aversion to spoken-word accompaniments to classical tracks, like those here. Neutral Milk Hotel, “Two-Headed Boy Part 2,” from In The Aeroplane Over The Sea. This album is legendary among people who know it, but I have to confess I feel more admiration for it than love. Mogwai, “I’m Jim Morrison, I’m Dead,” from The Hawk Is Howling. I’m a major Mogwai fan, but on first listen I thought this was relatively minor Mogwai. I’ll have to give it another try. Arvo Pärt, “Nunc dimittis,” performed by the Estonian Philharmonic Chamber Choir, from Da pacem. I’ve been a big Pärt fan ever since picking up Litany (based on a recommendation in Wired, oddly enough). Tristania, “Angellore,” from Widow’s Weeds. An experiment on my part in venturing into the “melodic metal” arena; not bad, but I’m still not that interested in metal. M.I.A., “Fire, Fire,” from Arular. I was dining at Fatburger, which features a free jukebox with a net connection, when someone played “Paper Planes” from Kala. I decided to reciprocate by playing “Galang Galang” from this album. Eve Beglarian, “Far Off Country (One-Two),” performed by Maya Beiser, from Almost Human. iTunes put two tracks from this album onto the list; I have no idea why. Dumptruck, “Better Of You,” from For the Country (not on eMusic). In my opinion this is one of the best non-country country albums ever recorded, right up there with Meat Puppets II. The Fall. “An Older Lover etc,” from Palace of Swords Reversed (not on eMusic). I have lots of Fall albums; this is one of the better ones. Johann Johannsson, “Englabörn,” from Englabörn. I like Johannsson but don’t recall liking this album as much as IBM 1401: A User’s Manual. Amiina, “Saga,” from Kurr. Another Icelandic production, not in the league of Bjork or Sigur Rós, but well worth listening to. Team Dresch, “Hate the Christian Right!” from Personal Best (not on eMusic). The Butchies have their charms but are no substitute for this band. Supposedly Team Dresch have reformed and are (maybe?) recording a new album; I always worry about this sort of thing but am definitely looking forward to it if it ever happens. The Wedding Present, “I’m Not Always So Stupid,” from George Best Plus. I listened to this album only once; it was a bit too much of its time for me. Super Furry Animals, “Patience,” from Rings Around The World. Another album I listened to only once, and need to try again. “Bocuma,” Boards Of Canada, Music Has The Right To Children (not on eMusic). CollabNet didn’t really take off as a company, but I have to say that my co-workers there (who recommended this to me) had great taste in music.

2009-10-17 · 3 min · Frank Hecker

The story of “swindleeeee!!!”

This used to be a page on my Swindleeeee! blog about eMusic; I subsequently moved it over as a page on my main personal blog when I merged the contents of Swindleeeee! into that blog. As part of a cleanup of my main blog I’m now moving it to be a regular blog post, in order to preserve it for posterity. Ever since its founding eMusic has been repeatedly discovered by people who either don’t get the concept (“Hey, where’s Britney Spears?!”) and/or have severe difficulty using a computer and the Internet; these people also often seem to have a fuzzy grasp on such matters as grammar and spelling. And thus on August 11, 2003 (a date which will live in infamy), after experiencing problems with downloading music mrcat first uttered those immortal words, “E Music is SWindle.” ...

2009-10-11 · 3 min · Frank Hecker